“I suppose it would mean stagnation,” admitted Madge. “And yet I don’t know. Are there not forces moving towards right that are crying to us to help them, not by violence, which only interrupts—delays them, but by quietly preparing the way for them? You know what I mean. Erasmus always said that Luther had hindered the Reformation by stirring up passion and hate.” She broke off suddenly. There were tears in her eyes. “Oh, if God would only say what He wants of us,” she almost cried; “call to us in trumpet tones that would ring through the world, compelling us to take sides. Why can’t He speak?” There was only one hope that he could see: and that was to switch the people’s mind on to some other excitement. His advices from London told him that a parliamentary crisis was pending. Could not Mrs. Denton and her party do something to hasten it? He, on his side, would consult with the Socialist leaders, who might have something to suggest.!

She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman. Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.

He led the way to the piano. “Tell Madge I want her,” he whispered. He struck a few notes; and then in a voice that drowned every other sound in the room, struck up a comic song. “It is daring,” she admitted. “I must be prepared for opposition. But it had to be stated.” “There’s something bigger coming,” he said. “Here everything seems to be going on much the same, but over there you feel it. Something growing silently out of all this blood and mud. I find myself wondering what the men are staring at, but when I look there’s nothing as far as my field-glasses will reach but waste and desolation. And it isn’t only on the faces of our own men. It’s in the eyes of the prisoners too. As if they saw something. A funny ending to the war, if the people began to think.”